As one of the highly provocative British art duo The Chapman Brothers, artist Jake Chapman is no stranger to challenging his audience. In this new film, he poses the question, “why is it easier to imagine the end of the world than the end of capitalism?” Perhaps the answer is ‘Accelerationism’, which emerged 50 years ago and predicted the reality we’re now living: A frenzied stasis of rapid technological advancement coupled with cultural and political stagnation. Capitalism – Accelerationism claims – is breaking down our society, our humanity, and our planet. But the only way forward is not to run from it, but to dive deeper into it. Regardless of where that takes us… As befitting for an artist as visual and extreme as Jake Chapman, this film is also part-artwork – playfully and uncompromisingly distorting the idea of how a documentary should look and feel.

When a disturbing letter arrives at his nowhere job, Alex leaves his nowhere life and returns to the mountains of Colorado where he comes face to face with the demons that have haunted him for over a decade. Alex's journey takes him back in time to a summer twelve years earlier when the tragic consequences of a love triangle shattered the relationship with his best friend and changed the course of his life forever.

A homeless man takes a newly homeless man under his wing and teaches him how to survive on the streets.

Jake is a writer. He is married to Maggie, but his marriage is in trouble. He cannot stop thinking about other women in his life, characters he invents conversations with. He is constantly talking to: his deceased wife Julie, his daughter Molly, his sister Karen, and his psychiatrist Edith. All he does is have imaginary conversations with real people that are at the moment out of his life. Maggie cannot stand his mind wandering off all the time and decides to separate for six months and at the end of six months they will decide whether or not to remain together. Jake has a few girl friends, but spends the six months, while waiting for Maggie, only talking to these imaginary people, and a few times to real people.

The fictional story of an ex-football star, Johnny Dunn, who moves far from the spotlight after a family tragedy to a small, desert town he owns called Jake's Corner. This dramatic comedy is a cross between Kramer vs. Kramer (1979) and "Northern Exposure" (1990). Set in the real town of Jake's Corner, Arizona, it is a rest stop for travelers making their way through the Arizona desert, but for the people who live there, it's a rest stop for life. Johnny and the eclectic ensemble that live and work in the town occupy trailers behind the Corner Store and Jake's Corner Bar. Through the years, this cast of misfits has become closer than most families - they are kin. The dynamic of the town is changed forever when Johnny's young nephew comes to live with him.

'Motors can stall, shooters can jam. But Jake's end of it'll be all right.' Jake's a professional, a married man with a reputation to maintain-and a bank to rob.

Young girl is dreaming to become a cop - so she starts her own investigation into a group of car thieves.

Based on real events in and around Cape Town, two paramedics risk their lives while attempting to save a patient's life.

Two stoner lab assistants get high on science, literally, by smoking various topics from a robotic bong to blast off to imaginary realms full of real facts and mind-blowing insights.

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